Critical commetary for Rodin's edition of Josquin's masses based on L'homme armé. With an introduction.
Critical commentary for two masses: Missa L'ami Baudichon -- Missa Une mousse de Biscaye. With an introduction and index.
Contents: Missa L'homme armé sexti toni -- Missa L'homme armé super voces musicales. With an introduction. These works were the pinnacle of the Renaissance-era tradition of basing masses on the popular song, L'homme armé.
Contents: Missa L'ami Baudichon -- Missa Une mousse de Biscaye. With an introduction. These two works are both of questioned authenticity. The works are different enough in nature that many scholars are willing to ascribe only one or the other to Josquin.