…augmented sixth chord. The first book in this volume contains the basses and the melodies, while the second book contains realizations by Narcis Bonet. With a preface by Dominique Merlet, preface by Philip Lasser, historical introduction by Donna Doyle, and introduction by Bonet. Three appendices.
…inversion; and dimished triad. The first book in this volume contains the basses and the melodies, while the second book contains realizations by Narcis Bonet. With a preface by Dominique Merlet, preface by Philip Lasser, historical introduction by Donna Doyle, and introduction by Bonet.
In Catalan. With contributions by Ramon Barce & Narcis Bonet. Music examples, illustrations. Chronology, works list, discography, excerpts from writings & opinions about Mompou, bibliography, index.
In one movement. A lively and challenging piece for flute.
With program and biographical notes in Catalan, Spanish and French. This early work by Bonet won the 1953 Prix de Composition du Conservatoire Americain de Fonainebleau. Of advanced difficulty.
This piece was composed as incidental music for a performance of Arlequin, Siervo de Dos Amos, by Goldoni. This edition includes materials which allow the music to be also played by clarinet, viola and cello; violin, clarinet and cello; and violin, viola and cello. With program and biographical…
This piece was premiered by violist Pierre Pasquier, with the composer at the piano. This edition also includes parts for clarinet and alto saxophone, as optional replacements for the viola. With program and biographical notes in Spanish, Catalan and French.
Contents: 1. El mestre -- 2. El testament d'Amelia -- 3. Canco del lladre -- 4. El fill del Rei -- 5. La filla del marxant -- 6. El rossinyol. With a preface and biographical note in Catalan, Spanish, English, and French.
With an appendix Cours d'harmonie (Harmony lessons), previously unpublished text by Nadia Boulanger.
In one movement. With a program note in Catalan, Spanish, and English. Dedicated to Santi Riu. This piece is based on music composed in the 17th century by Francesc Alio.